Metaphysics of Sound: In Search of the Name of God

by Natasa Nuit Pantovic (Author)

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"Metaphysics of Sound in Search of the Name of God" by Nataša Pantović is a fascinating exploration of the metaphysical connection between sound, vibration, and the spiritual and historical development of ancient European cultures. Pantović, a Maltese and Serbian researcher, embarks on a profound journey through history, tracing the evolution of sound, symbols, and the ancient wisdom .

The novel takes readers on an archaeological journey that intertwines a dialogue between the Roman, Greek, and Slavic cultures.

The book centers around the character Ivana Šeravac, who is approaching her 30th birthday and finds herself on a transformative train journey to Monastery Ostrog in Montenegro. During the journey, Ivana meets David Archer, a researcher studying his PhD in London, and together, they embark on a profound exploration of the world's oldest recorded history of Europe.

The Search for the Name of God is a profound theme in the book. The narrative takes readers through the mysteries of ancient religions and mystical practices, examining how different cultures and civilizations have sought to uncover or invoke the divine through sound. This includes the Sumerian Liturgy for the Moon Goddess Sin, one of the oldest recorded rituals, as well as references to Ancient Greek and Slavic traditions.

Pantović draws attention to the Vinča script, one of the oldest known writing systems, found in the Vinča culture of ancient Serbia. The book investigates how these symbols, along with the sounds associated with them, represent more than mere writing—they are frequencies that hold spiritual and metaphysical power. The symbols of the Vinča culture, along with other ancient alphabets like Cyrillic and Ancient Greek, are explored as vibrational tools that connect humans to higher realms of consciousness.

The narrative also touches on Herodotus’ accounts of the Slavs, the ancient Greek philosopher’s descriptions of the mysterious culture and language of the Slavic peoples, and how their ritualistic practices were deeply connected to the metaphysical properties of sound. Pantović further explores the Derveni Papyrus—an ancient Greek text revealing Orphic rituals that used sacred chants and symbols to invoke divine powers and bring spiritual awakening.

Exploring the Interconnectedness of Ancient European Cultures Pantović’s book also explores the cultural and historical connections between various European civilizations, especially Roman, Greek, Slavic, and Balkan cultures.

By examining the development of Cyrillic, Greek, and Ionic alphabets, Pantović illustrates how written symbols not only served as communication tools but also as vibrational frequencies that carried spiritual significance. These ancient scripts, with their distinct sounds and symbols, were believed to contain the essence of the divine and held the key to spiritual and metaphysical truths.

"Metaphysics of Sound in Search of the Name of God" is an intricate and thought-provoking exploration of sound as a metaphysical force, deeply tied to spiritual awakening and the understanding of the divine. Pantović combines historical research, philosophical insights, and mystical teachings to create a narrative that reveals the profound connection between sound, vibration, and the universe’s deeper truths. Through a dialogue between ancient cultures and their sacred practices, the book provides a unique perspective on how sound has been used throughout history to elevate consciousness, connect with the divine, and ultimately, search for the Name of God.

name god goddess first script adam myth language development metaphysics sound notebook ancient

Notebook H aDaM Following sacred H through the esoteric studies of our priests

AdaM H aDaM, reading H (X) as the Sound of God, we get a beautiful undistorted translation of this Bible phrase to be: H has created D and M. H (as the name of God) creates: D as the Male principle, the YanG of consciousness manifestation, creating sounds of D, TH, G, B or R (Dio, Theo, Bog, Beauty, Ben as Chinese for White, Brahma, God, or Ra) and M as the Female, left, Yin manifestation of the Life force. M that is the first element, water, with Moon as its symbol, symbolically presented as the Eye of Horus in Ancient Egypt. The Bible uses the word אָדָם (X-aDaM) in all of its senses: collectively as the mankind, (Genesis 1:27), gender non-specific as "man and woman" together as in Genesis 5:1-2, as for a male or in the collective sense, and the interplay between the individual "Adam" and the collective "humankind". According to an old Rabbi legend, an angel gave Adam the mysteries and secrets of Kabbalah and of Alchemy

Neolithic Europe Script 5,500 BC Vinca Civilization Ancient Europe archeology Neolithic art script

Neolithic Europe Script 5,500 BC Vinca Civilization of Ancient Europe

Both the ancient Egyptians and Incas remind us that the mystical name of the Sun-Moon God is Amon Ra. Ra or Da as the supreme male quality, and Ma or Na as the supreme female quality.

Amun and his female expression Amaun.et 2,100 BC. was a patron deity of Thebes. Scripts were written about “AM-N”, rituals created, 100s of Canaan letters start with “JMN” salutation. He was the transcendental, self-created deity. Other gods were manifested as female and male, reflected in the alphabet, each carrying a symbol, a letter, a sound. As the chief deity of the Ancient Egyptian Empire, Amun-Ra also came to be worshipped outside Egypt, according to the testimony of ancient Greek historiographers in Libya and Nubia. Rosetta Stone's hydrographic sacred script identifies it as NΘR manifesting as nXr, nĐr, nČr, etc. In Ancient Greece he was identified with Zeus. ΘΕΟΣ (θεὸς or Δίὸς) or Dios of the Catholic Roman Church.

Amarna Ancient Egypt AXoN i1350 BC New Kingdom Image with ANX as Holy Spirit

Amarna Ancient Egypt Royal Family 1350BC New Kingdom time of AXoN in Egyptian Museum in Berlin. Ankh or ANX is one of the most recognizable symbols from ancient Egypt, known as "cross of life", dating from 3,000 BC. The symbol is an Egyptian hieroglyph for "life" or "breath of life" = nh = ankh = nX Tracing the sound back in time, we come across X, that was used by the Kings and Priestesses of the Ancient Egyptian New Kingdom. It is carried by the ancient Egyptian gods, goddesses in tomb paintings and worn by Egyptians as an amulet, a golden cross if you wish, around the neck. Ankh, loved and despised by many, have you ever wondered why... An ancient Egyptian symbol often drawn by our wise ancestors was the symbol used by priests and priestesses to represent resurrection and the Holy Spirit. Often interpreted as the word for "life", it traveled across the sees to many ancient civilizations and as the sign was used in the artwork of the Minoan civilization in Crete (Ancient Greece).